The world building here is top class, with the tiny samurai-inspired bird-riding warriors particularly memorable. The characters too are excellently designed, with attractive central characters, and a distinctive look for the tree people. As a result, it feels like in their Non-Ice-Age productions they really let loose, with incredibly beautiful, eye-poppingly colourful visuals in films like Robots, Rio and Horton Hears a Who.Įpic is undoubtedly their most technically accomplished work to date, with lush vistas and sumptuous visuals helping to create a film that is a knock-out in the looks department. It's not that the films are poorly animated but they sport a heavily stylised and simplistic look that does not really showcase the best of their animation skills. To a degree, it seems they have been hampered by the success of their biggest franchise. Production studio Blue Sky are best known for the Ice Age films, and despite having being hugely commercially successful, they have not received anywhere near the critical kudos of their closest rivals. It turns out he's right, and MK gets shrunk down and caught up in a struggle between the tiny Tree people and a race of evil creatures named Boggins. Dad is something of an eccentric, a mad scientist type, convinced there is a civilisation of tiny people that exists parallel to our own. The story follows young teen Mary Katherine (also known as MK) when she moves in with her estranged father following her mum passing away. That's something of a shame, however, and if you give it a chance you'll find it's actually a very enjoyable family film with some really impressive animation. It's perhaps not that surprising, as the trailers weren't anything special suggesting a kind of cross between Fern Gully and Honey I Shrunk the Kids. With Frozen, Monster's University and Despicable Me 2 winning all the plaudits and box office moolah in 2013 it seemed very few people were talking about Blue Sky's Epic. With this volume of material hitting screens every year it's inevitable that some would fall through the cracks, and not really receive the attention that they might deserve. Certainly, it terms of sheer numbers, more animated features are being released than ever before. It could be argued that we're living in something of a golden age of western theatrical animation.
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